This is the edition that is widely available on CD to this day, on both sides of the Atlantic. They opted for the short single version of "Science" but retained the full-length versions of "Airwaves" and "Windpower" and the original synthesizer-driven version of "Radio Silence", just as all three had appeared on the first UK edition. In 1983, the UK record label, Venice in Peril, followed suit and reissued the album with a similar track listing to the second US version. The strategy worked, as The Golden Age of Wireless sold better and "She Blinded Me with Science" became a major hit, with constant radio and MTV airplay. Columbia also swapped the full-length version of "Windpower" for the single version (with an edited intro and outro). Mix") and "Submarines", and changed the album's cover art back to its original "comic book" design. They removed "Urges" and "Leipzig", added the extended version of "Science" (also known as the "U.S. When Dolby released the single "She Blinded Me with Science" backed by " One of our Submarines" in late 1982-complete with a music video for the A-side-Columbia saw a golden opportunity. This image had previously been used as the cover of the "Europa and the Pirate Twins" single in the UK. Columbia also opted for the single edit of "Airwaves" and abandoned the original UK "comic book" cover in favour of a shot of Dolby on a stage during the production of Bertholt Brecht's "Galileo".
Additionally, Columbia swapped the original synthpop version of "Radio Silence" for a much more rock-oriented version that had previously only been available as a single B-side in the UK.
The first US version, issued by Columbia-CBS's CBS/Sony imprint, excised the instrumental "The Wreck of the Fairchild" (loosely based on the 1972 Uruguayan plane crash) and added the two sides of Dolby's first single, "Leipzig" and "Urges". In the case of "Radio Silence", a completely different recording with prominent guitars was the version used on the early US incarnations. All five releases appeared on vinyl and cassette (though the cassette release for the fifth version is unconfirmed), but only the third and fifth resequencings appeared on CD, with each changing the order of the songs, replacing the album mixes with extended or single mixes and even adding and removing entire songs. The album was released a total of five separate times. The central character in "Radio Silence" is a personification of Radio Caroline, a 1960s British pirate radio station. The music of " Europa and the Pirate Twins" is a deliberate merging of past and present, combining modern synthesizers with blues harmonica playing and electronic percussion with handclaps.
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